Colin Harvie, Editor-in-Chief, Founder

Colin Harvie. M. Sc. is an animator and graphic designer from all across New England. He graduated from Full Sail University with a Bachelors of Science in Computer Animation in 2010, and Masters of Science in Entertainment Business the following year. An avid anime fan since he first saw Neon Genesis Evangelion in 2004, he has collected hundreds of DVDs, VHSs, Blu-Rays, and manga. His favorite anime franchise is Evangelion. A reformed fansubber, Harvie now dedicates much of his time to educating others about the dangers of piracy and bootlegging, and to that end he founded the Anime Defense Project Inc. in 2010.

Chris Perry, Newsroom Editor

Chris Perry is the Communications Director of the Anime Defense Project Inc and, as part of that duty, runs the newsroom at KeepAnimeAlive.com. A student at the New England School of Communications where he studies audio engineering, Perry is a writer of both music and award-winning literature. Some people read his Tumblr, where he blogs as Autosound. His first anime was Neon Genesis Evangelion, which he saw in 2004, and since then has seen many others including his favorites Midori Days, Code Geass: Lelouch of the Rebellion, and Marmalade Boy.

Arthur "Dave" Babinsky, Convention Liason

Dave Babinsky is an anime fan from New York, New York currently living in northern New Hampshire. He met Harvie & Perry in 2005 and has been involved with the Anime Defense Project Inc. since it's founding. In August 2011, he joined as the KeepAnimeAlive.com Convention Liason, helping us work directly with conventions to provide coverage. After being badgered by Colin Harvie long enough, Dave finally agreed to watch Trinity Blood and fell in love with anime; his favorites include Trinity Blood, Code Geass: Lelouch of the Rebellion, and Black Butler.

Clifton Rogers, Studio Technical Director

Clif Rogers owns pretty much every piece of Wheel of Time literature ever made, and yet he still finds time to help us put together our podcast. An entertainment production student at the New England School of Communications, Rogers is an accomplished stage technical director, and has been involved with a number of theatrical companies. He's the technical director for all studio productions including Sound Only.